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#diSKOAverweekly: Week of February 5, 2020
yes bish 2020 we fancy up in hur!
YES I AM ALIVE!
Yes, it’s been awhile. I’m getting better at figuring out how to keep all these plates spinning, swear to fucking god.
Been sitting on these jams way too long to not share! Next update will actually happen on a Wednesday so please be kind and grab what you like before they vanish!
The Brilliance - “How Do We Know”
Local lads The Brilliance just dropped their latest album ‘Suite No. 2: World Keeps Spinning’, companion album to 2018’s ‘Suite No. 1 Oh Dreamer’. Both are worth a spin!
Rafael Casal - “Oxygen”
Missed this track when it dropped. This guy can really do anything. Jelly.
Connor Duermit - “Everything”
This boy’s voice is smooooooooooooove. God damn. What are they putting in the water in LA right now?!
Hydromag - “P.J.R.”
When that cozy bedroom pop just hits right… *chefs kiss*.
Imbibe - “Reflections”
Fun fact: these guys are brothers! Australian ones no less (lol of course they are). If you’re in Europe and have seen Parcels somewhat recently chances are you caught these guys opening for them.
Amtrac - “Radical (feat. Totally Enormous Extinct Dinosaurs)”
Amtrac is gaining momentum, best hop on! Also very happy to see TEED popping his head up again for some air. When’s that homey gonna give us more than a few random tunes and remixes?!
Yuksek - “G.F.Y. (feat. Queen Rose)”
ICYMI Yuksek is always perfect and here is more proof. Can’t wait to see him with JD Samson at The Dance on April 2nd! Gonna be 🔥🔥🔥!!!!
Crush Club - “My Man (feat. Nicki B The Vagabond)”
As president of the Crush Club - Crush Club, I feel it is my responsibility to make sure that everyone knows about their latest. If My Man had a fragrance, what would it smell like? 🤔🤔
LA Priest - “What Moves”
LA Priest is back and dropping an album GENE on April 24th!! I’m so fucking hype! I have missed him so so sooooo.
Tamara Kumbula - “1 to 8”
It’s wild the things I find while roaming around on Stationhead. Have you downloaded that app yet? I’m going to start doing more shit on there. Anyway, I’m really digging on Tamara’s whole vibe.
Cannibal Kids - “I Keep My Eyes Closed”
Nice to see some fresh meat coming out of my home state (Florida). Gonna keep an eye on these guys.
of Montreal - “You’ve Had Me Everywhere”
If you haven’t heard ‘Ur Fun’ yet you absolutely must. It’s quickly climbing the ranks into my top 5 of Montreal records.
The 1975 - “Me & You Together Song”
Y’all know I’m a sucker for a good love song and this one is def hitting me in all of those warm and fuzzy feels. Also the new music video that dropped today is a nice little Throwback Thursday moment.
Gourmet - “Stone Cold Steve Austin”
WAAX - “Labrador”
Sometimes I get bored and look up the bands on a festival lineup that I’ve never heard of. I did this for a fest that I Know Leopard was playing and somehow landed on this delightful bunch of noisy friends. Stay curious! There’s great songs everywhere! You just gotta look!
Grieves - “Let The Devil In”
Been a minute since I caught up with Grieves. Really enjoying his latest, ‘The Collections of Mr. Nice Guy’. This song was how I found my way back to him.
[SONG OF THE DAY] SG Lewis - "Again (feat. Totally Enormous Extinct Dinosaurs)"
Today in Everything SG Lewis Makes Is So Perfect It’s Almost Unfair we have his latest single, “Again”, which is a collaboration with the ever loved Totally Enormous Extinct Dinosaurs. The track follows “A.A.T” which featured Drew Love of THEY fame and is part of the second phase of his upcoming three-part concept album Dusk, Dark, Dawn, which chronicles the trajectory of a night out through its different moods and genres and serves as a tribute to club and youth culture.
Earlier this year he released Dusk, which was a blend of glimmering disco and electro pop. As you’ll hear on “A.A.T.” and (more specifically) “Again”, this second phase, Dark, is exploring much heavier sounds.
After wrapping a massive US tour, SG will be heading to Europe for a string of dates starting in late November including Bristol and Manchester shows before closing out the tour with a special headline show at London Printworks on December 7th. Dates below Euro fam!
SG LEWIS ON TOUR
Nov 24 2018 - Waagenbau - Hamburg, Germany
Nov 25 2018 - Lille Vega - Copenhagen, Denmark
Nov 26 2018 - Badehaus Szimpla - Berlin, Germany
Nov 28 2018 - Yuca - Cologne, Germany
Dec 03 2018 - Thekla - Bristol, United Kingdom
Dec 04 2018 - Club Academy - Manchester, United Kingdom
Dec 05 2018 - Green Room at The Academy - Dublin, Ireland
Dec 07 2018 - The Printworks - London, United Kingdom
[Listen] Totally Enormous Extinct Dinosaurs Remixes Disclosure's "F For You"
UK producer duo Disclosure's bouncy track "F For You" gets a hefty overhaul, as fellow Brit Totally Enormous Extinct Dinosaurs implants it with darker tones and otherworldly atmosphere. The result is six minutes of synthesized grandeur, where moments of echoing emptiness are coupled with futuristic flourishes. Press play to escape into this excellent remix.
Disclosure's debut album Settle, featuring "F For You," is out now.
[Sasquatch! 2013] Recap: Day Two
As the weekend of Sasquatch! festivities continued, the weather got better and so did the overall mood. The sun beamed down and the festival goers were waking up eager to party. The smell of bacon was met with the crack of beer cans opening, and campers were quick to set up ladder golf or throw a frisbee around. Day two was already off to a fantastic start and the nighttime was even better. The xx, Bloc Party, Holy Ghost!, Porcelain Raft, Totally Enormous Extinct Dinosaurs, a hilarious stand up set by Nick Offerman and more, Saturday really impressed with some of the best performances of the festival. Check out the recap of day two after the jump (and read our recap of day one here).
As the weekend of Sasquatch! festivities continued, the weather got better and so did the overall mood. The sun beamed down and the festival goers were waking up eager to party. The smell of bacon was met with the crack of beer cans opening, and campers were quick to set up ladder golf or throw a frisbee around. Day two was already off to a fantastic start and the nighttime was even better. The xx, Bloc Party, Holy Ghost!, Porcelain Raft, Totally Enormous Extinct Dinosaurs, a hilarious stand up set by Nick Offerman and more, Saturday really impressed with some of the best performances of the festival. Check out the recap of day two below (and read our recap of day one here).
Photo by Christopher Nelson.
Much of Saturday was spent hanging out in the campgrounds, meeting our neighbours, drinking beer and enjoying the sun, putting us all in a good mood. Spirits were high as well as being consumed, and around two in the afternoon my girlfriend Katherine and I headed off to the festival grounds. Over the next couple of hours, we spent some time in the backstage and media areas doing interviews (these will be appearing on the blog over the next five days) with some fantastic musicians. Everyone we met was so interesting and fun to chat with and that's the feeling I got throughout the whole festival. There was always someone new to meet.
At around 6 o'clock, we made our way to the El Chubacabra tent to see Nick Offerman. For those unfamiliar, get familiar. Offerman is best known for playing Ron Swanson on Parks and Recreation as well as being married to Megan Mullaly of Will & Grace fame. The guy is hilarious, with a very straightforward, dry Nick Offerman. Photo by Matthew Lamb.delivery, and it all works into his American everyman style. He strutted out without a shirt on, calmly stating, "You were warned that minor nudity was included." Putting on an American flag button-up, he offered attendees his "10 tips for prosperity." He encouraged the consumption of plentiful meat and bread, to practice romantic love and to do it often, as well as the safe use of drugs and intoxicants. He also dished out a few songs on his guitar, and at the end even brought his wife and actress Stephanie Hunt on stage. They did a mashup of Dusty Springfield's "Son of a Preacher Man" and Cypress Hill's "Hits from a Bong" that was simply awesome. You can check out the mashup here, but be warned the sound quality isn't the best.
Next up was Holy Ghost!, who performed at the Honda Bigfoot stage right after Offerman's set. It was good timing and I was really excited to see these guys live again. Rest assured, they did not disappoint. The sun was still bright when Alex Frankel and Nick Millhiser tore up their hour-long set. With a full touring band supporting them, they sounded great. Kicking it off with their new single "Dumb Disco Ideas," the New York duo then dished out loud, dancey renditions of "Hold On," "Wait & See," "Do It Again," "Hold My Breath" and pretty much their whole debut album. I didn't stop dancing that whole hour.
Still on a bit of an energy high from Holy Ghost!, we caught the second half of Bloc Party's set at the main stage. While we showed up late, what we did see was fantastic. I caught them last year at Outside Lands Bloc Party. Photo by Christopher Nelson.Festival in San Francisco, and they sounded as good if not better this time around. Sitting comfortably up on the hill, their set sounded so tight and it was a treat hearing songs from all four of their albums. While most of the set was material from Four, hearing old highlights like "Helicopter" was great. They even debuted a new song titled "Ratchet." Crowds were high-energy for this one.
With a bit of free time on our hands, we caught a short bit of Porcelain Raft at the Yeti stage. I had never seen Mauro Remiddi live but I really enjoyed his debut album Strange Weekend, so I was excited to find out what he sounded like in person. After hearing both "Drifting In And Out" and "Put Me To Sleep" I was very impressed. Remiddi's dreamy tunes sound great live, floating effortlessly through your eardrums. After what I heard, I was sad to leave, but The xx was waiting right around the corner.
Heading back to the Sasquatch stage, we prepared for The xx. Tucking into the left side of the stage, we made our way into the crowd and up to the front left. With a great, up-close view, we parked ourselves inRomy and Oliver of The xx. Photo by Christopher Nelson. place. As the band walked on stage the sun was giving us it's final minutes of light, giving way to the band's dark attire and stunning light show. All I can say is these three blew me away. Romy Madley Croft, Oliver Sim and Jamie xx know how to build and atmosphere and completely own a crowd. Their stage presence is minimal and quietly charming, and for good reason. They let their instruments and sounds do the talking, using heavy bass kicks, explosive claps, rolling basslines and dazzling light arrangements to put you in a trance. It was so mesmerizing to see and hear "Reunion" live, being carefully strung along by the slowly-encompassing atmosphere. "VCR" was met with roaring applause, and then complete silence as the crowd gave way to the music. As was "Islands." As was "Swept Away." "Angels." "Crystalised." Seriously, it was like that with every song. I had no expectations going into it, but I left that stage in awe.
Walking away from the main stage, my mind was lost, still in a daze. We wandered to the El Chupacabra for a change of scenery. It was a drastic shift going from the minimalist beauty of The xx to the pulse-pounding electronic beats of Totally Enormous Extinct Dinosaurs. That didn't matter. My excitement for TEED quickly took over. Easily securing a spot against the front barrier, our eardrums were met with a barrage of pulsating bass and synthesized sounds. Surrounded by flashing lights, he kept the crowd moving for an hour straight, never letting go. TEED assaulted the senses with a well-paced set, and fans responded with high-energy dancing. He threw down tracks both old and (mostly) new, including "Your Love," "American Dream Pt. II," "Garden," "Stronger" and more. This was my first taste of electronic music at the festival, and it was so good.
Following TEED's set I had a ton of energy, so my friends and I bounced around to different stages for a while. First, we headed to the main stage, reaching the crest of the hill overlooking the tail end of Sigur Rós' set. The view was beautiful. A clear black sky speckled by stars dominated while the band doled out their final songs. It was a brief visit to the main stage—only 10 minutes—but it was a mellowing follow-up to TEED. My attention was occupied by something else, though, as Sigur Rós' quieter presence lost out to Tame Impala's raucous sounds at the nearby Yeti stage. We brashly decided that the party should continue and headed in that direction.
Tame Impala were supposed to perform at the Honda Bigfoot stage at 10pm, but due to their gear arriving late they were moved to an 11:15 set at the much smaller Yeti stage. That didn't matter, though. By the time we arrived at Yeti, the crowd was massive. Thousands of dedicated fans amassed around the stage, and the band responded with a fuckin' rowdy set. They brought songs from both Innerspeaker and Lonerism and Empire of the Sun. Photo by Matthew Lamb.unleashed them in loud, blistering fashion upon us, enveloping vocalist Kevin Parker's fragile vocals in warm, psychedelic sounds. It was incredible to hear "Elephant" roar to life, causing the excitement level to explode, and to lose yourself in "Feels Like We Only Go Backwards" as it drifts along in a dream-like manner. The highlight was easily the end of their set, as "Solitude Is Bliss" so very loudly echoed from the stage, leaving everyone with the words "You will never come close to how I feel" etched into their minds.
Still feeling the reverberation of Tame Impala course through my body, we set our sights on the final show of the night: Empire of the Sun. Gladly choosing this band over Laidback Luke's set at El Chupacabra, I prepared for the bright, colorful extravagance of Luke Steele and Nick Littlemore. That's exactly what we got. Booming explosions of light and smoke introduced the band, donned in absurd outfits and accompanied by bizarre dancers. Apparently, they needed over an hour to prepare the stage and costuming for the show, and it certainly showed. This is pure showmanship, with stage-wide visual wonderment. The music was fantastic too. It was great to finally hear "Standing on the Shore," "We Are The People," "Half Mast" and "Walking on a Dream" live, but it was the new material that really stood out. "Alive" was anthemic and the whole crowd was chanting along energetically, while brand new songs from their upcoming album Ice on the Dune really showcased a catchy '80s dance vibe. I did get the sense that their was a lot lip-syncing going on, but I admit I didn't care because it was so bright and theatrical and fun. Fuck... is that a bad thing? It was just so good!
Day two really showcased all of what Sasquatch! has to offer: amazing music diversity, stunning vistas and weather as well as tons of memorable experiences. It was a day full of continuous high notes, amazing performances and ridiculous fun, and the story continues tomorrow with a recap of day three.
By Adrian McCavour.
[Watch] Banks Gets Sensual in Her Video for "Warm Water"
We've introduced you to Los Angeles singer Banks before, and her most recent song "Warm Water" is a sensual, smooth love letter wrapped in velvet production from Totally Enormous Extinct Dinosaurs. That sensuality seeps effortlessly into its new visuals. The black and white clip is simple in its focus, placing Banks in the warm embrace of her lover alongside watery imagery. Check out the Dylan Knight-directed video below.
[Listen] Banks - "Warm Water" (Prod. by Totally Enourmous Extinct Dinosaurs)
Budding Los Angeles songstress Banks absolutely wowed me with her songs "Fall Over" and "Before I Ever Met You," and now she's back with something even better. "Warm Water" melts perfectly into the romantic nights of the summer season, floating sensually across three-and-a-half minutes of production from Totally Enormous Extinct Dinosaurs. Banks' soulful vocals are beautiful as always, voicing such longing and desire. I can't wait to hear more from her.
The "Warm Water" single is out on May 27th via Good Years.
(via Gorilla vs. Bear)
[News] Parklife Weekender announces initial line-up
After weeks of torment and announcing just one act a day via numerous sources, Parklife Weekender has been given a full initial line-up announcement and it's shaping up to be a fun start to summer in Manchester. Presented by the same awesome people that bring us the Warehouse Project, the festival takes part over the weekend of June 8th-9th. Previously announced acts included Julio Bashmore, Everything Everything, The Maccabees, Four Tet and Hudson Mohawke.
Names added today include Example, Plan B, Rita Ora, Mark Ronson, A Trak, The Horrors, Jessie Ware, Jamie Jones, Disclosure, Rudimental, TEED, Danny Brown, Action Bronson, Savages, King Krule, Toro Y Moi and a crap load of others, with loads more still to be announced it's looking like it will live up to the previous years'. For the full line-up so far head over to the official website to grab some tickets. You know you want to. We're still awaiting word on the new venue/location for the event but we're told it'll all be revealed a week today (February 21st).
[Watch] Totally Enormous Extinct Dinosaurs - "Your Love" (Official Video)
UK electronic producer Totally Enormous Extinct Dinosaurs taps into various aspects of Japanese pop culture in his new video for "Your Love", from his debut LP Trouble. How could you not want to indulge in visuals of the ridiculous Japanese greasers of Ueno Park, or Tommy Lee Jones in an amazing advertisement for Boss Coffee? Check out the replay above.