[SONG OF THE DAY] Tycho - "Japan"

photo credit: Scott Hansen

San Francisco soundscape crafters Tycho have returned with a new track, “Japan”, from their forthcoming album WEATHER, out on July 12th. "I had just returned from spending some time in Hakone, Japan with my wife's Japanese relatives," shares project brainchild Scott Hansen. "I was thinking a lot about the kinds of electronic music instruments I had been using when I first started making music in the late '90s. With 'Japan,' I was trying to recapture a part of that sound and combine it with the imagery and experiences from my trip to Hakone. I sent the song to Hannah with nothing more than the title of 'Japan' and she wrote all of the lyrics." As with the recent string of singles they’ve released from this album cycle, the band has offered a 2-pack, which includes the album version and an accompanying instrumental.

Speaking of said instrumental, I wanna talk about how frustrating it was to watch a large portion of the Tycho fandom essentially have a total fucking meltdown about the addition of angelic vocalist Saint Sinner to the mix. As previously mentioned, Hansen has shared how he’s really excited about incorporating the most “organic instrument” on the planet into the Tycho soundscape. I even admitted it was gonna take me a second to get used to the idea. That all said, as someone who lives to watch bands evolve and challenge themselves to push beyond any self or fan-made boundaries, to say I’m disappointed that some folks can’t see the opportunity the band is giving us to reflect on how truly powerful either type of performance is would be an understatement. Hansen is quick to detail the amount of thought that goes into each version, "I wanted to explore the idea of approaching songs from two entirely different perspectives,” he explains, “Similar to 'Pink & Blue,' the instrumental versions are not just the songs with vocals muted, they are different arrangements with different instrumentation and melodies in place of the vocals."

Even before skimming the press release to do this post, just this morning (almost a full month since the “Pink & Blue” writeup mind you) I found myself lost in thought while listening to both versions of “Japan”. I couldn’t help but reflect on how fascinating it is to watch this band begin to be able to articulate into words certain things that maybe their music hadn’t been able to previously. Maybe prior to now Tycho music was akin to those in religious settings who speak in tongues, not sure the exact or best way to fully express themselves, but deep down the sound does enough to speak for itself.

It’s certainly a concept that is worth taking some time to sit with, if only to deepen your appreciation for the band. I hope that those who were upset come around. Personally it just makes me love this band all the more knowing that they’re the ultra meticulous musicians I’ve grown to appreciate them to be busily fretting over every painstaking detail every step of the way with this release.

PS - have you pre-ordered Weather yet? Do you have your tickets for their extensive af world tour coming up? If not, get on that shit, fam!

TYCHO

"WEATHER WORLD TOUR"

2019

JULY

21 - Byron Bay, Australia - Splendour In The Grass *

23 - Melbourne, Australia - Forum Melbourne

24 - Sydney, Australia - Sydney Opera House

26 - Niigata Prefecture, Japan - Fuji Rock Festival '19 *

SEPTEMBER

5 - Los Angeles, CA - Greek Theatre **

6 - Berkeley, CA - Greek Theatre #

7 - Portland, OR - Arlene Schnitzer Concert Hall #

8 - Seattle, WA - Paramount Theatre #

11 - Denver, CO - The Mission Ballroom #

13 - Minneapolis, MN - Palace Theatre #

15 - Chicago, IL - Aragon Ballroom #

16 - Toronto, ON - Sony Centre for the Performing Arts #

18 - Boston, MA - Wang Theatre - Boch Center #

19 - New York, NY - Summerstage #

20 - Philadelphia, PA - Franklin Music Hall #

21 - Slippery Rock, PA - Resonance Music & Arts Festival *

23 - Detroit, MI - The Masonic #

24 - Columbus, OH - Express Live #

26 - St Louis, MO - The Pageant #

27 - Kansas City, MO - CrossroadsKC #

2020

FEBRUARY

9 - Oslo, Norway - Rockefeller #

10 - Stockholm, Sweden - Vasteatern #

11 - Copenhagen, Denmark - Vega Main Hall #

13 - Hamburg, Germany - Uebel & Gefahrlich #

14 - Cologne, Germany - Live Music Hall #

15 - Paris, France - Elyse Montmartre #

17 - Brussels, Belgium - AB Ballroom @ Ancienne Belgique #

18 - Amsterdam, Netherlands - Paradiso #

19 - Berlin, Germany - Huxley's #

21 - Warsaw, Poland - Praga Centrum #

23 - Prague, Czech Republic - Roxy #

24 - Budapest, Hungary - Akvarium #

25 - Vienna, Austria - WUK #

27 - Milan, Italy - Fabrique #

28 - Bologna, Italy - Estragon #

MARCH

1 - Barcelona, Spain - Sala Apolo #

5 - London, UK - Printworks #

* Festival Performance

** Chrome Sparks

# Poolside

[SONG OF THE DAY] Cherryade - "Shout Loud"

If there’s been a void in your soul from where the excitement around hearing New Young Pony Club, The TIng Tings, CSS, or M.I.A. in their early days, I have found a complimentary baby band for the year of our Lorde 2019 who is happy to grab the torch passed on to them and then use it to maybe burn a building down or something. 😂

Enter: London’s new alt-pop duo Cherryade. After meeting as childhood friends and bonding over a shared love of Lil’ Kim, M.I.A. and South Park, Ella and Alex began developing their sound as drunk teenagers making GarageBand demos. Fast forward to today when the pair have fleshed out their infectiously bratty alt-pop sound and have worked alongside the likes of Ant Whiting (M.I.A., John Newman), Xenomania (Little Mix, Pet Shop Boys), Lewis Gardiner (Ellie Goulding), and more.

Last week the band unveiled, “Shout Loud”, which is the lead single from their forthcoming EP, 4 Reasons Why. The song, which was co-written and produced by Ant Whiting, is all about the struggles facing modern day artists and the impact this can have on mental health, but is carefully disguised as this carefree, upbeat, fuzzy, and ultra catchy synth-pop tune

Speaking about the song, Ella said, “We wrote this song about feeling frustrated as both artists and people who work within the music and film industries, and how that plays a massive part in mental health.” Alex added: “There’s a massive pressure to succeed but at the same time you’re constantly being told what you should and shouldn’t do, and what rules to follow… it kills the creativity in what everyone is doing, and just isn’t healthy for anyone involved”.

[SONG OF THE DAY] SAKIMA - "Virtus Domum"

As things have been winding down and I’ve taken time to reflect on the year in music we’ve had, I can honestly say that without a doubt SAKIMA is the most important thing that happened to music this year. With every single he’s released he continues to share carefully crafted narratives that are universally relatable but are still deeply rooted in his perspective as a gay musician.

In his latest, “Virtus Domum”, he addresses personal experience of being taken advantage of and being the subject of unwanted advances. Throughout the song you hear him working through the experience, complete with brief victim blaming and what I assume are things he wishes he’d said during the specific encounter he’s speaking to.

With every song he’s released in the past year I can’t help but think about the New York Times interview with Jay-Z where he says something that I’m sure he’s repeating from a therapy session: “What you reveal, you heal.” In every day life it can be incredibly difficult to expose our emotional wounds and begin the healing process. The fact that SAKIMA is very directly slaying his demons so openly will undoubtedly help a lot of people with theirs and even possibly prevent some trauma from happening altogether.

As he told Paper in an interview about the track, “I really hope that for anyone who relates to the track, that it gives them a sense of control over their own experiences, and reminds them that they are in charge of what happens to them. Even when something happens to you outside of your physical control, you still own your story and what becomes of it.”

[Interview] FEMMEHOUSE DJ LP Giobbi On Empowering Women Through Production, Going 'Tits First' Into Her Career

Los Angeles FEMMEHOUSE producer and DJ LP Giobbi (born Leah Chisholm) is a bit of an anomaly when it comes to her trajectory into present day and without a doubt Some Kind of Awesome. Raised by a couple of Deadheads in New York, she started playing piano when she was in 2nd grade and experimented playing in bands as she grew up. "I was always the music kid. I played in the bands," LP explains, "I was that person." When it came time for college, her supportive parents encouraged her to pursue her passions, and she found herself taking all music classes at UC Berkeley in Los Angeles, California. She graduated with a degree in jazz piano and, drawing inspiration from her upbringing, sought out a job at Another Planet Entertainment, home of Outside Lands Festival, Treasure Island Music Festival, and more. After reading the biography of legendary rock promoter Bill Graham, who worked with the likes of The Grateful Dead, Jefferson Airplane, and The Rolling Stones, she decided to write a letter to president Gregg Perloff, who had worked directly under Graham for many years.

"I wrote a letter as to why they should hire me and I literally walked down to their office, found their address, rang the buzzer and asked for Gregg Perloff," she recounted. "They assumed because I had so much ignorant confidence that I did have a meeting with him and they let me in." As luck would have it, Perloff actually stepped out of his office around the same time that the APE staff were trying to assess what the then-nineteen year old's intentions were. "I think at that moment they were like, 'There's a stalker in the office'", she said, "but I walked over to him and I said, 'You know, you would really benefit by hiring me and here's a letter as to why'." Completely blown away by her go-getter attitude, Perloff read her letter while she stood in of him and then hired her on the spot.

This is one of the many stories that LP would share with me during our conversation the evening before her set at Brooklyn nightclub Output, alongside Animal Talk labelmates Crush Club and label founders better known as electro pop sensations Sofi Tukker. While her attitude towards life is often more of a "Tits First" policy, leaping into everything assuming that a safety net will appear, it took a while for her to be honest with herself about wanting to pursue music full-time.. "After a lot of soul searching and conversations with the best pals, I learned it was actually fear of not being able to make it as a musician [that] was putting me on the industry side of things," she explained.

By chance, she was approached to be part of an all-female electronic project, LEX (later known as LJ Laboratory), despite not knowing the first thing about making electronic music. "I did not even know what a synthesizer was or how to turn it on," she admitted. In true Tits First fashion, she would spend the next three years familiarizing herself with DAW systems, ProTools, Abelton, and sound design, which helped bring her to her present-day production prowess.

During that time a friend invited her out to catch house legend Tornado Wallace. Entirely unaware of the inner workings of electronic music, the experience blew her away almost instantaneously. She recounted, "I was like, 'Is there a piano up there? Where's all the music coming from? Like how is there one guy playing all this music?'" For the reminder of the set her friend would proceed to break down everything that Wallace was accomplishing on his own on stage, going so far as to pounding on her shoulder during the 2/4 time signatures.

Beyond being impressed by Tornado Wallace's technical ability, LP was wholly captivated by the sophisticated yet simple nature of house music. "What was so interesting about it was that I had spent the last 4 years in college intellectualizing music," she recalled. "When I was at this club listening to this music it was all about the body. It was like meditative almost. It was the first time in a long time that I had a connection with music on a non-intellectual level."

After that encounter she knew that was the kind of music experience that she wanted to curate for her listeners. She explained, "I wanted to understand it. I wanted to know how to make people tick with it. That's what I wanted to be a part of."

LP admits that her "inner music major" can get in the way as she works on new music: she occasionally struggles with over-intellectualizing. "[In college] it was like 'Let me show off and show you how much I can say really quickly'" she said. After graduating college, however, she was challenged by some sage advice from a songwriting partner. "The very first thing she did," she recalls, "was rip up all my music and said, 'I don't wanna hear how many things you can say, I wanna know WHAT you're saying.'

It's something she still battles with in present day. She detailed,

"The note that I get back from Tucker [Halpern (Sofi Tukker)] every time I send him a track that I think is ready to be released, is 'DO LESS'. 'Take things out'. 'Say more by saying less'. My motto in life is 'More is more' so that's been really challenging for me, *laughs* but ultimately it has benefited [me], I think, for like focusing in on what I'm trying to say. It's been a really good challenge for me."

When she's able to achieve the perfect balance of doing less and saying more, the result has been nothing short of deeply impactful. An easy example of this is her debut single, "Amber Rose", which features Hermixalot reciting lines from a poem she wrote 10 years ago about then-girlfriend of rapper Kanye West and present day feminist icon, Amber Rose. When she's not making songs about women reclaiming their agency you can find her making more clever club-filling music. In "These Are Your Children" she pays homage to the history of New York City nightlife by sampling former club kid king Michael Alig’s 1990 interview from the Geraldo Rivera show. Her latest single, "Kupsa Kupsa" features a collaboration with French rapper H3RY LÜCK and is a playful song entirely in French about how making music is akin to cooking and is simply a blend of all the best ingredients.

One of the most admirable things about LP is that despite being involved in the electronic music scene for a somewhat short amount of time that she's already making a point to pour her heart into the community that helped her connect to music on an emotional level. She specifically makes it a point to leverage her white privilege and opportunities to provide a platform for other women, specifically women of color, in addition to the LGBTQ+ community.

Earlier this month, she partnered with Live Nation and launched the first of a series of events in San Francisco at their new August Hall venue under the name FEMMEHOUSE. The events give women the opportunities to take DJing and sound design classes prior to a series of performances of which there will be a few spots kept open for the women to practice the skills they've learned. "I think our whole goal in all of this is to be gatekeepers where, you know, the gatekeepers have normally been white men, she explained, "We wanna give them a stage and we wanna give them a voice and we wanna give them tools to use those things."

For LP, teaching women music production is a way to empower women in music, specifically vocalists, who are often at the mercy of their male producers."I feel very passionately about having women control that narrative and having them control their own voices," she says, "Or at least be able to speak the language when they do get into the room with a producer. That to me is what FEMMEHOUSE is all about."

LP Giobbi at the inaugural FEMMEHOUSE event on November 1st at August Hall in San Francisco, CA. photo credit: FEMMEHOUSE instagram

“I feel very passionately about having women control that narrative and having them control their own voices, or at least be able to speak the language when they do get into the room with a producer. That to me is what FEMMEHOUSE is all about.”

— LP Giobbi

In addition to FEMMEHOUSE, LP is also responsible for being the driving force behind the Santa Barbara Girls Rock camp being able to expand their course offerings to also have a music production class. Upon leveraging a recently made relationship with Native Instruments, she pressed the company to donate the necessary gear, and then even taught at the inaugural music production camp. "We taught [10 year old girls] how to make a song in Abelton," she gushed, "They used a bunch of like the Native Instruments keyboards and DJ controllers and it was SO FUN." The experience actually ended up inspiring to flesh out her then-initial stage idea for FEMMEHOUSE.

It is no surprise given how excited she was while we talked about her experience at the Santa Barbara Girls Rock camp that she has found a happy home within the artist collective Animal Talk, born from Sofi Tukker members Sofi Hawley-Weld and Tucker Halpern. According to LP, "Animal Talk is more than a language *laughs* Animal Talk is the best place on earth in my humble opinion."

Born around the idea of tapping into your child or animal, she explained the importance of being a member of the collective,

"Sofi [Hawley-Weld] always talks about how as an adult you go and meet with one of your friends, you sit down and have a beer, and you're like, 'This is what I'm doing with my life', you catch up, and that's it. But as children, we would play. We would build sandcastles. We would play dress up. We would play make believe. We would create things together. That was such a natural state of being and in adulthood that gets killed, so we wanted to make Animal Talk a place, like a physical/spiritual place. Physical in the parties and spiritual, you know, offline. In that reminding people that we can still play, we can still create, we can still be children. A place where they can free themselves and where they can tap into their inner child or inner animal and, you know, remember what it's like to play and to create. I think that that is the key to joy in life."

This interview has been condensed and lightly edited for clarity.

[SONG OF THE DAY] Sakima - "Apps"

Yooooo London’s Sakima is out here raging against the hookup culture machine and I am HERE THE FUCK FOR IT, Y’ALL. His latest single, “Apps”, from his forthcoming debut full length, Project Peach, speaks to the overall disillusionment from the current state of modern dating. Although he’s speaking to Grindr related careless hookup culture, yer girl knows first hand what it’s like to come back from a bathroom break on a date and see a dude swiping away on Tinder to kill time. App dating is garrrbbbbaaaaaggggeee fam please for the love of everything in your being just go meet people at shows ffs.

As Sakima told Highsnobiety about the inspiration behind “Apps”,

“I was dating someone in particular and it was going really well but by the end of it, it transpired that even though this guy really liked me he just wasn’t ready to give one person his attention. Not because he wanted to sleep around or anything like that, but because there’s just so many endless opportunities to meet someone new 24/7, how can I compete with that? I’m the kind of person where if I like someone I get rid of all the hook up and dating apps on my phone and give whoever it may be my full attention to see where things go, and I don’t think it’s too much to ask for the same in return. So through the frustration and psychological stress that comes with feeling like you’re not good enough to compete with an entire world of new possibilities through an app, I sort of found this inner voice in me that was much stronger and self-knowing than before all this dating apps shit that’s ruining potentially meaningful relationships.”

“Apps” is a departure for Sakima, who typically relies on his angelic voice to be the central focus for his songs. Instead, he enlisted the production stylings of Robokid, who also contributed a verse on the song about dudes being “glued to [their] phone looking to get [their] dick sucked.”I especially appreciated Sakima’s jab at the end of the song about people being too disillusioned to vote. Impeccable timing considering we’re a week out from Election Day here in the US.

Suffice it to say if I didn’t already hardcore stan for Sakima I sure as shit do now.

[SONG OF THE DAY] Saro - "Please"

photo credit: Josh Nixon

Proceed with caution as LA based queer musician Saro (pronounced “sorrow”) has a voice that can completely wreck you if you’re not prepared for it. Ever since my first taste of his 2017 EP Boy Afraid, his songs have firmly cemented themselves in my heart and I’ve been eager to hear what he would share with us next.

Yesterday he unveiled his latest single, “Please”, which upon first listen can be interpreted as a song about a lover, but as he explained in an interview with PAPER,

"'Please' is a reflection of my search for something lasting in this increasingly disposable world.The past few years, I've kept a distance between myself and any sort of permanence, caught in a revolving door of temporary homes and temporary people. Temporary has become my constant— the only stability in my life has been music. Now, I find myself reckoning with my growing desire for stability and my willingness to exchange volatility for something more concrete. I wrote this song about longing for something lasting, all the while knowing that nothing is forever."

If you happen to be fortunate enough to be in Los Angeles, you can catch him live next month on November 19th at School Night.

[SKOA PREMIERE] + [SONG OF THE DAY] Niki Black - "Not Coming Up"

IT’S FRIDAY, WITCHES!

Just in time for a weekend that will be undoubtedly be full of Halloween parties I have a song from LA siren Niki Black that is nothing short of supernatural. “Not Coming Up”, the debut single from her forthcoming EP, wastes no time in allowing you to get to know Black, who studied feminist theology in college, as she cries out, “don’t forgive me father”, which I assume is derivative from the crucifixion of Jesus Christ. Whereas Christ was crying out for God to forgive those crucifying him for sinning against God, Black does not wish to seek for forgiveness, as the song is ultimately an arresting ode to her first queer relationship, which as we know, one does not need to seek any forgiveness for. “I felt the church to be central to the song’s idea of being denied entrance to heaven because of your sexuality,” explains Niki. Spoiler alert / non shocker here: Black is also tremendously involved in women’s rights and LGBT initiatives.

Her forthcoming EP, which is slated for an early 2019 release, offers up Black’s perspective on femme sexuality through her feminist theological lens. “I was enchanted by old Judaism, namely the mythology of the female demon Lilith, and how she mirrors Eve,” shares Niki. “The thousands of years of interpretations of the myths of the religious texts are goldmines in the way that they illuminate my creativity and thoughts, and also how they inform so many of our modern generation's conscience, especially when it comes to sexual politics.”

To a certain extent, the EP is like Dante's Divine Comedy, describing the journey from heaven to oblivion, or hell. “I wanted to retell that descent from a modern feminine perspective, one of the damned, which some of us may feel like sometimes, or all the time....whether it's from religion directly, from a relationship, or from yourself,” shares Niki.

Before today I didn’t have a playlist called “Songs To Sin To”, but here we are…

Have a safe weekend, fam! Happy sinning ;)

[TODAY IN MUSIC] 5 Things You Should Know On Monday, September 17th, 2018

MRW I saw the news about Australia’s first female-focussed and LGBTIQ+ inclusive booking agency

Hi so I’m going to try a thing. I do my best to keep up with relevant things happening in and thought a recap of the things that stand out the most to me might be mutually beneficial. If you want to chat in the comments (or on Twitter, Facebook, or Instagram) about any of these I’m all ears! 😎

• TL;DR: Ad Rock and Mike D did NOT give Eminem permission for the Kamikaze artwork. In fact, a lot of us knew about the artwork before they did. [Exclaim!]

• Dua Lipa’s body guards from her Shanghai show were detained by police after reports of them dragging out fans waving rainbow fans and beating members of the audience. 🤬 [NME]

• If you have a never ending love/hate relationship with AutoTune, you might find this very thorough history of how it revolutionized popular music interesting. [Pitchfork]

• ICYMI: we’re still trying to get the very forward thinking legislation known as the Music Modernization Act passed in the US. Neil Diamond took to the LA Times to detail how our current outdated laws negatively effect legacy acts' ability to earn performance royalties on digital/satellite radio. [LATimes]

• AMAZING news from down under: Australian booking agent Kailei Ginman has launched Australia’s first female-focussed and LGBTIQ+ inclusive booking agency – an all-female roster, run by female agents, employing all-female freelancers and supporting community charities – aptly named Alpha. [The Music Network]